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    <loc>https://www.nargessbanks.com/articles-nargess-banks</loc>
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    <loc>https://www.nargessbanks.com/articles-nargess-banks/art-and-champagne</loc>
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    <lastmod>2026-01-26</lastmod>
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      <image:title>Editorial - Art Beneath the Bubbles - Make it stand out</image:title>
      <image:caption>Julian Charrière's Chorals (2025) at Ruinart. Photography ©Chloe LeReste</image:caption>
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    <image:image>
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      <image:title>Editorial - Art Beneath the Bubbles - Make it stand out</image:title>
      <image:caption>Tomás Saraceno's Movement for Ruinart (2021) addresses the climate emergency. Photography ©Dario Lagana</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/3d08e106-f77a-4732-9d56-9769cfb368d5/Plaque+en+ce%CC%81ramique+Yvette+Guilbert_Toulouse-Lautrec%2C+Henri+de+Muller+Emile_1895_Courtesy+Perrier-Joue%CC%88t.jpg</image:loc>
      <image:title>Editorial - Art Beneath the Bubbles - Make it stand out</image:title>
      <image:caption>at Maison Belle Epoque, Henri de Toulouse-Lautrec ceramic plaque of Yvette Guilbert (1895). Photography ©Perrier-Jouët</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/4f97b981-b4f7-4bf3-a106-31457f6337d0/IMG_2361.HEIC.jpg</image:loc>
      <image:title>Editorial - Art Beneath the Bubbles - Make it stand out</image:title>
      <image:caption>Emotions of the Sun (2024, Milan Design Week) where Veuve Clicquot commissioned eight Magnum photographers across five continents to interpret the sun as metaphor for their Yellow Label cuvée. Photography ©Nargess Banks</image:caption>
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  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/2025-in-art</loc>
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    <priority>0.5</priority>
    <lastmod>2026-01-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/b05f7c76-4385-4170-8795-e31a90bcf0af/Kerry+James+Marshall.jpg</image:loc>
      <image:title>Editorial - Life Always Triumphs - Make it stand out</image:title>
      <image:caption>Kerry James Marshall, School of Beauty, School of Culture (2012). Photography ©Sean Pathasema/ Kerry James Marshall/Jack Shainman Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/0586fcd7-a0ec-460c-a4be-b5cab6103465/Noah+Davis.jpg</image:loc>
      <image:title>Editorial - Life Always Triumphs - Make it stand out</image:title>
      <image:caption>Noah Davis, Pueblo del Rio: Arabesque (2014), Barbican.  Photography ©Kerry McFate/Estate of Noah Davis/David Zwirner</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/ee590910-d760-4859-9437-3b00e0145f5e/Peter+Doig%3A+House+of+Music%2C+Serpentine</image:loc>
      <image:title>Editorial - Life Always Triumphs - Make it stand out</image:title>
      <image:caption>Peter Doig, House of Music (2025), Serpentine. Photography ©Nargess Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/ddade2a6-4518-4209-b81b-c830e278196b/Wayne+McGregor.jpg</image:loc>
      <image:title>Editorial - Life Always Triumphs - Make it stand out</image:title>
      <image:caption>Random International/Wayne McGregor/Chihei Hakateyama, No One is an Island, Somerset House. Photography ©Ravi Deepres</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/6df2d3a4-be64-432f-bb57-fed3f4170d86/Claudia+Alarc%C3%B3n.jpg</image:loc>
      <image:title>Editorial - Life Always Triumphs - Make it stand out</image:title>
      <image:caption>Claudia Alarcón &amp; Silät, Choreography of the Imagination (2025), Cecilia Brunson Projects. Photography ©Nargess Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/a5b5873a-7995-40c2-a80b-9d72d7313c01/Arthur+Jafa.jpg</image:loc>
      <image:title>Editorial - Life Always Triumphs - Make it stand out</image:title>
      <image:caption>Arthur Jafa, I just want our love to last (2025), Sadie Coles. Photography ©Arthur Jafa/Sadie Coles</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/1ba27f0f-55a2-477c-bc74-a53a5bf79c1a/Kentridge.jpg</image:loc>
      <image:title>Editorial - Life Always Triumphs - Make it stand out</image:title>
      <image:caption>William Kentridge observing Oh To Believe in Another World (2022) at YSP. Photography ©Nargess Banks</image:caption>
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  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-frieze-director-eva-langret</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/8d36d66c-5f18-49de-8c93-fb37ede46649/Eva+Langret.jpg</image:loc>
      <image:title>Editorial - Beyond the Marketplace - Make it stand out</image:title>
      <image:caption>Eva Langret, director for Frieze Europe, the Middle East and Africa. Photography ©Philip White Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/dd8f078c-9637-40c5-a6ae-1c5b091db8ad/Grayson+Perry+at+Frieze+London+2025.jpg</image:loc>
      <image:title>Editorial - Beyond the Marketplace - Make it stand out</image:title>
      <image:caption>Grayson Perry at Frieze London 2025. Photography ©Nargess Banks</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-cindy-sherman-hauser-wirth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/50dd4402-db04-45b4-a05f-ae9bd907c4ee/f4nxQYhu4RKSPrBJzhdJYJ-1600-80.jpg.webp</image:loc>
      <image:title>Editorial - The Mirror and the Mask - Make it stand out</image:title>
      <image:caption>Cindy Sherman, Untitled #566 (2016) at Hauser &amp; Wirth. Photography ©Cindy Sherman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/fd95d3dc-2dc2-4441-9e31-8b61efc63b21/HFS7nb2ygyp2WcnWwQVZUJ-1600-80.jpg.webp</image:loc>
      <image:title>Editorial - The Mirror and the Mask - Make it stand out</image:title>
      <image:caption>Cindy Sherman, Untitled #568 (2016) at Hauser &amp; Wirth. PhotographyCindy Sherman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/f75a0890-7d52-43d1-a101-d77436ce753e/dnSpWPoPS44rJaRn5zqbaJ-1600-80.jpg.webp</image:loc>
      <image:title>Editorial - The Mirror and the Mask - Make it stand out</image:title>
      <image:caption>Cindy Sherman, Untitled Film Still #6 (1977) at Hauser &amp; Wirth. Photography ©Cindy Sherman</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/60aee799-0129-4ab8-a768-e0b954eb3883/7HRDR9w2boj8V9qAbTKfUJ-1600-80.jpg.webp</image:loc>
      <image:title>Editorial - The Mirror and the Mask - Make it stand out</image:title>
      <image:caption>Cindy Sherman, Untitled #369 (1976/2000) at Hauser &amp; Wirth. Photography ©Cindy Sherman</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-telmo-rodrguez-bodega-lanzaga</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/12a51aa4-6201-47f5-a7f7-2aafb8111eed/Maze-Row-Rebel-with-a-cause-Article1-1.jpg</image:loc>
      <image:title>Editorial - Against the Current - Make it stand out</image:title>
      <image:caption>Telmo Rodríguez with his business partner, the winemaker Pablo Eguzkiza. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/2e65f5af-12f1-40c8-9eb8-dd846d34d170/Maze-Row-Rebel-with-a-cause-Article13-2.jpg</image:loc>
      <image:title>Editorial - Against the Current - Make it stand out</image:title>
      <image:caption>Pablo Eguzkiza and Telmo Rodríguez in the vineyards. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/371a68ac-911e-4c91-ad14-2cacda3338fb/Maze-Row-Rebel-with-a-cause-Article8.jpg</image:loc>
      <image:title>Editorial - Against the Current - Make it stand out</image:title>
      <image:caption>Lanzaga winery and vineyards near Bilbao in northern Spain. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/346e4d97-a129-4480-bbfb-f02b86be5dba/Maze-Row-Rebel-with-a-cause-Article9.jpg</image:loc>
      <image:title>Editorial - Against the Current - Make it stand out</image:title>
      <image:caption>The tasting rooms and visitor centre. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-claudia-alarcn-silt-collective</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/2ec1751d-8cf3-4321-9bda-68f6432ad792/0x0-2.webp</image:loc>
      <image:title>Editorial - Songs the Forest Taught - Make it stand out</image:title>
      <image:caption>Claudia Alarcón &amp; Silät, Choreography of the Imagination (2025), Cecilia Brunson Projects. Photography ©Lucy Dawkins/Cecilia Brunson Projects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/ff9f4d3d-54c8-41cc-b325-277baebec9f5/0x0-1.webp</image:loc>
      <image:title>Editorial - Songs the Forest Taught - Make it stand out</image:title>
      <image:caption>Claudia Alarcón and members of the Silät. Photography ©Andrei Fernández/Cecilia Brunson Projects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/9877788e-6651-432d-8589-90142db9d537/0x0-3.webp</image:loc>
      <image:title>Editorial - Songs the Forest Taught - Make it stand out</image:title>
      <image:caption>Claudia Alarcón &amp; Silät, Choreography of the Imagination (20205), Cecilia Brunson Projects. Photography ©Lucy Dawkins/Cecilia Brunson Projects</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/c9db91e5-e3fb-4713-82be-f275348a79ba/0x0.webp</image:loc>
      <image:title>Editorial - Songs the Forest Taught - Make it stand out</image:title>
      <image:caption>Claudia Alarcón &amp; Silät, Choreography of the Imagination (2025), Cecilia Brunson Projects. Photography ©Lucy Dawkins/Cecilia Brunson Projects</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-william-kentridge-ysl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/83325189-0a6a-40b8-8aba-54476ee3579a/William+Kentridge%2C+Still+from+Self-Portrait+as+a+Coffee-Pot%2C+2022</image:loc>
      <image:title>Editorial - Provisional Coherence - Make it stand out</image:title>
      <image:caption>William Kentridge, Still from Self-Portrait as a Coffee-Pot (2022). Photography ©Kentridge Studio</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/4c4fee0b-4971-44ab-b76c-8e4a6ad5cf93/William+Kentridge%2C+Cursive%2C+2020</image:loc>
      <image:title>Editorial - Provisional Coherence - Make it stand out</image:title>
      <image:caption>William Kentridge, Cursive (2020). Photography ©Thys Dullaart/William Kentridge</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/35671dc6-c3b7-470a-8f3f-08b7540b8039/William+Kentridge%2C+More+Sweetly+Play+the+Dance</image:loc>
      <image:title>Editorial - Provisional Coherence - Make it stand out</image:title>
      <image:caption>William Kentridge, More Sweetly Play the Dance (2015), YSL 2024. Photography ©Jonty Wilde/YSL/William Kentridge/Goodman Gallery/Galleria Lia Rumma/Hauser &amp; Wirth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/d6315698-b335-424c-8597-a4de1f8be1ac/One+of+William+Kentridge%27s+Paper+Procession+works+at+Yorkshire+Sculpture+Park+%C2%A9Nargess+Banks</image:loc>
      <image:title>Editorial - Provisional Coherence - Make it stand out</image:title>
      <image:caption>One of William Kentridge's Paper Procession works at Yorkshire Sculpture Park. Photography ©Nargess Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/492913f6-e8db-470a-b3cd-7bfcdfd1de33/William+Kentridge%2C+Oh+To+Believe+in+Another+World+%282022%29%2C</image:loc>
      <image:title>Editorial - Provisional Coherence - Make it stand out</image:title>
      <image:caption>William Kentridge, Oh To Believe in Another World (2022), YSP. Photography ©Nargess Banks</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/insight-pieropan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/21ef78b2-7b9f-4af1-94e0-09cfe5bea0ba/Maze-Row-Souve-Brothers-Article.jpg</image:loc>
      <image:title>Editorial - An Ancient Heart - Make it stand out</image:title>
      <image:caption>Production entrance to the Leonildo Pieropan winery in Soave. Photography ©Leigh Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/2df20fd9-c906-46d7-a3d1-7133248add7c/Maze-Row-Souve-Brothers-Article16.jpg</image:loc>
      <image:title>Editorial - An Ancient Heart - Make it stand out</image:title>
      <image:caption>Andrea and Dario Pieropan at the winery. Photography ©Leigh Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/3665875a-0803-44de-8f8b-31bbe25994f9/Maze-Row-Souve-Brothers-Article9-800x1067.jpg</image:loc>
      <image:title>Editorial - An Ancient Heart - Make it stand out</image:title>
      <image:caption>Pieropan vineyards and winery sit at the foothill overlooking Soave. Photography ©Leigh Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/351e0ac6-0d87-43dd-a56b-2dcea905977d/Maze-Row-Souve-Brothers-Article14.jpg</image:loc>
      <image:title>Editorial - An Ancient Heart - Make it stand out</image:title>
      <image:caption>Head winemaker Dario Pieropan. Photography ©Leigh Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/6927daf4-bfcc-420e-b9e3-43ace4fee313/Maze-Row-Souve-Brothers-Article13.jpg</image:loc>
      <image:title>Editorial - An Ancient Heart - Make it stand out</image:title>
      <image:caption>La Rocca is Pieropan’s pinnacle expression. Photography ©Leigh Banks</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-typologien-fondazione-prada</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/ea9e74e7-efa5-4825-bff4-14ab900cd405/Typologien</image:loc>
      <image:title>Editorial - The Systematic Eye - Make it stand out</image:title>
      <image:caption>Heinrich Riebesehl, Menschen Im Fahrstuhl (1969), Berlin. Photography ©Heinrich Riebesehl</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/c678f754-361a-4898-aba3-778a86ac1cf6/1960x0-1.webp</image:loc>
      <image:title>Editorial - The Systematic Eye - Make it stand out</image:title>
      <image:caption>Thomas Struth, Musée du Louvre IV, Paris (1989). Photography ©Thomas Struth/ZKM</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/443cc0df-3ed7-40df-a0cd-1d3cd0d09ed1/0x0-3.webp</image:loc>
      <image:title>Editorial - The Systematic Eye - Make it stand out</image:title>
      <image:caption>Hilla Becher, Studie eines Eichenblatts (1965). Photography ©Estate Bernd &amp; Hilla Becher/Max Becher/Die Photographische Sammlung/SK Stiftung Kultur</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/676fae03-9eec-4b13-ad12-c0e02f3749da/0x0-2.webp</image:loc>
      <image:title>Editorial - The Systematic Eye - Make it stand out</image:title>
      <image:caption>August Sander, Sekretärin beim Westdeutschen Rundfunk in Köln (1931). Photography ©Die Photographische Sammlung/SK Stiftung Kultur/August Sander Archive</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-noah-davis-barbican</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/7babd04a-71c3-445a-899b-ea59542ee064/Noah+Davis%2C+1975+%288%29%2C+2013+%C2%A9The+Estate+of+Noah+Davis+Courtesy</image:loc>
      <image:title>Editorial - Painting as Witness - Make it stand out</image:title>
      <image:caption>Noah Davis, 1975 (8) (2013). Photography ©The Estate of Noah Davis/David Zwirner Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/6cfabe09-919d-49c8-b120-37c801966a20/Noah+Davis%2C+Pueblo+del+Rio%3A+Arabesque%2C+2014</image:loc>
      <image:title>Editorial - Painting as Witness - Make it stand out</image:title>
      <image:caption>Noah Davis, Pueblo del Rio: Arabesque (2014). Photography ©The Estate of Noah Davis/David Zwirner Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/9f355d6b-2b0f-4703-be27-d7a874c6d610/Arpita+Singh%2C+Searching+Sita+Through+Torn+Papers%2C+Paper+Strips+and+Labels</image:loc>
      <image:title>Editorial - Painting as Witness - Make it stand out</image:title>
      <image:caption>Arpita Singh, Searching Sita Through Torn Papers, Paper Strips and Labels (2015). Photography ©Jo Underhill/Serpentine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/56e70ee8-96ca-42b8-80b4-0228758289c3/Arpita+Singh%2C+My+Lollipop+City%3A+Gemini+Rising%2C+2005.+Vadehra+Art+Gallery</image:loc>
      <image:title>Editorial - Painting as Witness - Make it stand out</image:title>
      <image:caption>Arpita Singh, My Lollipop City: Gemini Rising (2005). Photography ©Vadehra Art Gallery/Arpita Singh</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-bonniers-konsthall</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/234a3842-1611-44a1-ac48-6b9e8df4c66d/Narges+Mohammadi+%22Attempts+for+Refuge%22+%282021%29+at+Bonniers+Konsthall</image:loc>
      <image:title>Editorial - On Shelter and Displacement - Make it stand out</image:title>
      <image:caption>Narges Mohammadi, Attempts for Refuge (2021), Bonniers Konsthall. Photography ©Bonniers Konsthall/Mire Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/8768ce4a-93c7-4e44-a27f-bac75fe86d1e/Mire+Lee+%22Endless+House%3A+Four+Heads%2C+Two+of+Which+Open%22+%282021%E2%80%932025%29+at+Bonniers+Konsthall+Mire+Lee</image:loc>
      <image:title>Editorial - On Shelter and Displacement - Make it stand out</image:title>
      <image:caption>Mire Lee, Endless House: Four Heads, Two of Which Open (2021–2025). Photography ©Bonniers Konsthall/Mire Lee</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/e1abf6e7-995f-468a-90e4-9b940cd170ac/Mariana+Ramos+Ortiz%2C+Breezeblocks+%28derrumbe%29%2C+%282023%29</image:loc>
      <image:title>Editorial - On Shelter and Displacement - Make it stand out</image:title>
      <image:caption>Mariana Ramos Ortiz, Breezeblocks (derrumbe), (2023) at Bonniers Konsthall. Photography ©Bonniers Konsthall/Mariana Ramos Ortiz</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/38ee0aff-c290-4187-bfbe-38217b90a514/0x0-6.webp</image:loc>
      <image:title>Editorial - On Shelter and Displacement - Make it stand out</image:title>
      <image:caption>Wisrah C. V. da R. Celestino, Privacy (2023), Bonniers Konsthall. Photography ©Bonniers Konsthall/Wisrah C. V. da R. Celestino</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/insight-market-art-fair</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/f594e5d9-13fe-4893-b149-48cc3cfddbe0/0x0-2.webp</image:loc>
      <image:title>Editorial - The Quiet Radical - Make it stand out</image:title>
      <image:caption>Loji Höskuldsson, 193 Days in Stockholm (2025) at V1 Gallery, Market Art Fair. Photography ©Jean-Baptiste Béranger/Market Air Fair</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/1622bba4-476a-4b10-83f4-a138bdebc8c2/Market+Air+Fair+2025</image:loc>
      <image:title>Editorial - The Quiet Radical - Make it stand out</image:title>
      <image:caption>Loji Höskuldsson, 193 Days in Stockholm (2025) at V1 Gallery, Market Art Fair. Photography ©Jean-Baptiste Béranger/Market Air Fair</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/b7a4090d-22a9-4437-9a16-c0c7aecd466c/0x0.webp</image:loc>
      <image:title>Editorial - The Quiet Radical - Make it stand out</image:title>
      <image:caption>Inuuteq Storch and Mikkel Ørsted, Wilson Saplana Gallery at Market Art Fair. Photography ©Jean-Baptiste Béranger/Market Air Fair</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/2fac9f42-ea4c-4065-b868-31fb7690d9fb/0x0-3.webp</image:loc>
      <image:title>Editorial - The Quiet Radical - Make it stand out</image:title>
      <image:caption>Iria Leino, Larsen Warner at Market Art Fair. Photography ©Jean-Baptiste Béranger/Market Air Fair</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/a2a7c46e-31ca-4b4d-bea4-7216a83ffcb9/0x0-4.webp</image:loc>
      <image:title>Editorial - The Quiet Radical - Make it stand out</image:title>
      <image:caption>Magnus Thierfelder, Tzotzis_Elastic Gallery at Market Art Fair. Photography ©Jean-Baptiste Béranger/Market Air Fair</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/0c5387a7-e135-4723-9309-b4469d845533/Market+Art+Fair+2025+in+Stockholm</image:loc>
      <image:title>Editorial - The Quiet Radical - Make it stand out</image:title>
      <image:caption>Market Art Fair 2025. Photography ©Jean-Baptiste Béranger/Market Air Fair</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-mika-rottenberg-hausr-wirth</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/b88e24ec-217f-4a8b-b5fa-0c8b67fae06e/Mika+Rottenberg</image:loc>
      <image:title>Editorial - Toxic Beauty - Make it stand out</image:title>
      <image:caption>Mika Rottenberg and Garlan Miles construct the bar, sculptures and lamps that adorn Manuela restaurant in SoHo, New York. Photography ©Oresti Tsonopoulos/Mika Rottenberg</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/8b3dad5d-982c-4ef1-9a7c-04127a1561d0/Mika+Rottenberg</image:loc>
      <image:title>Editorial - Toxic Beauty - Make it stand out</image:title>
      <image:caption>Mika Rottenberg. Vibrant Matter (2025) Hauser &amp; Wirth Menorca. Photography ©Damian Griffiths/Mika Rottenberg/Hauser &amp; Wirth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/ed19a10a-72bc-4740-8f00-44443f1a9c4d/Mika+Rottenberg</image:loc>
      <image:title>Editorial - Toxic Beauty - Make it stand out</image:title>
      <image:caption>Mika Rottenberg, Spaghetti Blockchain (video still 2019). Photography ©Mika Rottenberg</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/insight-art-exhibition-experiences</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/db8f8de1-4704-4b16-9019-f3868f5fa50b/Maze-Row-Where-the-Art-is-Article1-1.jpg</image:loc>
      <image:title>Editorial - Beyond The White Cube - Make it stand out</image:title>
      <image:caption>Hauser &amp; Wirth Menorca on Illa del Rei. Photography ©Be Creative/Daniel Schäfer/Hauser &amp; Wirth</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/b02e5ee3-0b19-4634-be8b-06be5fe45efd/Maze-Row-Where-the-Art-is-Article1-15.jpg</image:loc>
      <image:title>Editorial - Beyond The White Cube - Make it stand out</image:title>
      <image:caption>Paul McCarthy White Snow Party (2014), Hauser &amp; Wirth Menorca. Photography ©Be Creative/Daniel Schäfer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/672672a9-caaa-467e-a429-2b3ee7bea2b5/Maze-Row-Where-the-Art-is-Article1-16.jpg</image:loc>
      <image:title>Editorial - Beyond The White Cube - Make it stand out</image:title>
      <image:caption>Hauser &amp; Wirth Los Angeles. Photography ©Hauser &amp; Wirth</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-2024-year-in-art</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/74e6b48b-d3a8-4649-be9d-17562cf5c26f/Venice+Biennale+2024</image:loc>
      <image:title>Editorial - Voices Everywhere - Make it stand out</image:title>
      <image:caption>Outside the Brazilian Pavilion at the 60th la Biennale di Venezia. Photography ©Nargess Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/d7db1490-e1ba-4477-b253-25ee9a7a8f17/Venice+Biennale+2024</image:loc>
      <image:title>Editorial - Voices Everywhere - Make it stand out</image:title>
      <image:caption>Claire Fontaine, Foreigners Everywhere/Stranieri Ovunque at Arsenale, Venice Biennale. Photography ©Leigh Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/77456f9e-6922-48ce-bd49-84470c7b7890/Beyond+Boundaries%2C+Venice+2025</image:loc>
      <image:title>Editorial - Voices Everywhere - Make it stand out</image:title>
      <image:caption>Maisara Baroud "I'm Still Alive" at Foreigners in their Homeland for Personal Structures 2024 Photography ©Federico Vespignani/Personal Structures</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/485c6560-b40e-473c-aeaf-f40e2fcfaa5c/Yinka+Shonibare</image:loc>
      <image:title>Editorial - Voices Everywhere - Make it stand out</image:title>
      <image:caption>Yinka Shonibare: Suspended States Serpentine South Gallery, London 2024. Photography ©Jo Underhill/Serpentine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/2a320b84-f52e-444b-93cf-3be1e384dc47/1960x0-1.webp</image:loc>
      <image:title>Editorial - Voices Everywhere - Make it stand out</image:title>
      <image:caption>The Call, Holly Herndon and Mat Dryhurst Serpentine, 2024. Photography ©Leon Chew/Serpentine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/9a88200e-188a-44b6-b412-8db9c8808ffd/Lauren+Halsey</image:loc>
      <image:title>Editorial - Voices Everywhere - Make it stand out</image:title>
      <image:caption>Lauren Halsey, emajendat, 2024. Installation view, Serpentine. Photography ©Hugo Glendinning/Serpentine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/1766926649889-PETX77I0YE6L70EOPLQT/rvaxXyZbbQbCbiRvDMXaUh-1920-80.jpg.webp</image:loc>
      <image:title>Editorial - Voices Everywhere - Make it stand out</image:title>
      <image:caption>Julie Mehretu signing her BMW Art Car #20. Photography ©BMW</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-leonardo-drew-ysl</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/a1325093-cb86-4366-bc1b-a639129a3f40/Leonardo+Drew%2C+Number+360+%282023%29%2C</image:loc>
      <image:title>Editorial - Orchestrating Chaos - Make it stand out</image:title>
      <image:caption>Leonardo Drew, Number 360 (2023), close up of the installation at Yorkshire Sculpture Park. Photography ©Jonty Wilde/Leonardo Drew/Goodman Gallery/Galerie Lelong &amp; Co.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/2f7cbb7f-9010-4c60-ad28-7d4d3e07b907/Leonardo+Drew%2C+Number+360+%282023%29</image:loc>
      <image:title>Editorial - Orchestrating Chaos - Make it stand out</image:title>
      <image:caption>Leonardo Drew, Number 360 (2023). Photography ©Jonty Wilde/Leonardo Drew/Goodman Gallery/Galerie Lelong &amp; Co.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/18a37417-da0b-4e99-877f-ae7e4cb000e7/0x0.webp</image:loc>
      <image:title>Editorial - Orchestrating Chaos - Make it stand out</image:title>
      <image:caption>Leonardo Drew, Number 360 (2023) at Yorkshire Sculpture Park. Photography ©Nargess Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/394aab2d-75dc-4123-8be7-62e82d40d18e/960x0-2.webp</image:loc>
      <image:title>Editorial - Orchestrating Chaos - Make it stand out</image:title>
      <image:caption>Leonardo Drew, Number 360 (2023) installation process at Yorkshire Sculpture Park. Photography ©Jonty Wilde/YSL</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/insight-cantina-girlan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/4a01d7ac-01b2-40af-a3b8-97699b19de7e/Maze-Row-Wines-Without-Borders-Article.jpg</image:loc>
      <image:title>Editorial - Cultural Crossroads - Make it stand out</image:title>
      <image:caption>Cantina Girlan’s corporative vineyards are spread around the Alto Adige region. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/bcff47a6-25f7-45cd-8bd5-9ab24653769f/Maze-Row-Wines-Without-Borders-Article4.jpg</image:loc>
      <image:title>Editorial - Cultural Crossroads - Make it stand out</image:title>
      <image:caption>Views of the Cantina Girlan vineyards against the backdrop of the Dolomites. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/2a56f532-402c-49d8-854b-0558d3b09286/Maze-Row-Wines-Without-Borders-Article8-800x1067.jpg</image:loc>
      <image:title>Editorial - Cultural Crossroads - Make it stand out</image:title>
      <image:caption>Cantina Girlan was built on the grounds of the original 1923 building. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/74002715-95e8-4a47-97f2-723dd687262b/Maze-Row-Wines-Without-Borders-Article11.jpg</image:loc>
      <image:title>Editorial - Cultural Crossroads - Make it stand out</image:title>
      <image:caption>Oscar Lorandi, the elected chair of Cantina Girlan at the winery. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-sean-scully-stefan-gierowski</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/4c7ea60a-6f0b-405e-8a53-e0f8a0cf1545/Sean+Scully+%22What+Makes+Us+Too%22+%282017%29</image:loc>
      <image:title>Editorial - Beyond the Line - Make it stand out</image:title>
      <image:caption>Sean Scully, What Makes Us Too (2017). Photography ©Sean Scully</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/176ad57c-260e-4046-9d93-264b2102c887/Sean+Scully+%22Eleuthera+Triptych%22+%282018%29</image:loc>
      <image:title>Editorial - Beyond the Line - Make it stand out</image:title>
      <image:caption>Sean Scully, Eleuthera Triptych (2018). Photography ©Sean Scully</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/f0da59cb-5f38-44c0-9bf1-79612f76b87c/Stefan+Gierowski%2C+Beyond+the+Line</image:loc>
      <image:title>Editorial - Beyond the Line - Make it stand out</image:title>
      <image:caption>Stefan Gierowski, Beyond the Line. Photography ©Adam Gut/Stefan Gierowski Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/f967c0fa-14a9-4c8a-9e4f-b4e9c6dd9817/Stefan+Gierowski%2C+Painting+CM+%282012%29</image:loc>
      <image:title>Editorial - Beyond the Line - Make it stand out</image:title>
      <image:caption>Stefan Gierowski, Painting CM (2012). Photography ©Adam Gut/Stefan Gierowski Foundation</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/b53c90ae-a202-402d-aa1c-0971a4a90d78/Sean+Scully+Block+%281995%29</image:loc>
      <image:title>Editorial - Beyond the Line - Make it stand out</image:title>
      <image:caption>Sean Scully, Block (1995). Photography ©Sean Scully</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-kurt-zdesar-chotto-matte</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/e07b3671-3199-4be8-93ac-f6001b5ce93b/Maze-Row-Chotto-A-perfect-blend-Article7.jpg</image:loc>
      <image:title>Editorial - Where Two Cuisines Collide - Make it stand out</image:title>
      <image:caption>With Kurt Zdesar at Chotto Matte in London. Photography Leigh Banks</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/05c222b4-dbfa-4452-a1fc-e3816d6360d4/Maze-Row-Chotto-A-perfect-blend-Article212-800x1067.jpg</image:loc>
      <image:title>Editorial - Where Two Cuisines Collide - Make it stand out</image:title>
      <image:caption>Chotto Matte’s evolving recipes are inspired by Nikkei cuisine. Photography Chotto Matte</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/77a0d8af-ac31-484b-a697-9d5f15f8ce55/Maze-Row-Chotto-A-perfect-blend-Article213-800x1067.jpg</image:loc>
      <image:title>Editorial - Where Two Cuisines Collide - Make it stand out</image:title>
      <image:caption>Chotto Matte’s evolving recipes are inspired by Nikkei cuisine. Photography Chotto Matte</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/bcec12ba-23bf-43dc-bb14-f4bbd44adb26/Maze-Row-Chotto-A-perfect-blend-Article.jpg</image:loc>
      <image:title>Editorial - Where Two Cuisines Collide - Make it stand out</image:title>
      <image:caption>Kurt Zdesar pairing Sicilian producer Tornatore’s wines with his dishes. Photography ©Leigh Banks</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-jaime-hayon-ldf2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/e970c202-bf6f-4d50-8226-f771017f9b94/JM808453-scaled.webp</image:loc>
      <image:title>Editorial - The Joy of Making - Make it stand out</image:title>
      <image:caption>Jaime Hayon's Fortnum &amp; Mason installation during London Design Festival. Photography ©Jeff Moor/Jaime Hayon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/299d5f9d-cc48-4992-9748-1d09e672487c/Designer+Jaime+Hayon</image:loc>
      <image:title>Editorial - The Joy of Making - Make it stand out</image:title>
      <image:caption>Designer Jaime Hayon among his various design objects at his studio. Photography ©Joseph Fox</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/insight-future-of-fine-wine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/1766932503343-WC9UYNP2F8MLE0N86P3U/Maze-Row-A-New-Chapter-Article.jpg</image:loc>
      <image:title>Editorial - Rewriting the Rules - Make it stand out</image:title>
      <image:caption>Photography ©Pauline Vicard</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/insight-brancaia-winery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/840ddf97-1c21-4874-b378-f36c999bc42c/Brancaia.jpg</image:loc>
      <image:title>Editorial - Under The Tuscan Sun - Make it stand out</image:title>
      <image:caption>The Brancaia winery sits in the most glorious region of Tuscany. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/e927b5c8-a145-440b-9c95-ed3d338973a7/Brancaia-Portrait-5.jpg</image:loc>
      <image:title>Editorial - Under The Tuscan Sun - Make it stand out</image:title>
      <image:caption>Owner and winemaker, Barbara Widmer at the winery. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/582761c0-8663-4b46-8a66-f7318dbee1ac/Brancaia.jpg</image:loc>
      <image:title>Editorial - Under The Tuscan Sun - Make it stand out</image:title>
      <image:caption>The architecture of the Brancaia winery and visitor centre sits perfectly in harmony with the Tuscan landscape. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/100a46d0-0713-43c5-9526-a2b973f8afe7/Brancaia-Portrait-4.jpg</image:loc>
      <image:title>Editorial - Under The Tuscan Sun - Make it stand out</image:title>
      <image:caption>Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/978232ff-9d0e-4c5c-b49f-d148960c8daf/Brancaia-Portrait-3.jpg</image:loc>
      <image:title>Editorial - Under The Tuscan Sun - Make it stand out</image:title>
      <image:caption>Barbara Widmer and family at the Osteria Brancaia. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-hans-ulrich-obrist-serpentine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/001bb509-8ed2-4abc-ae96-f65ae81bc809/Holly+Herndon+and+Mathew+Dryhurst</image:loc>
      <image:title>Editorial - Art as Intermediary - Make it stand out</image:title>
      <image:caption>Roman Ole, Evelyn Saylor, Jules LaPlace, Holly Herndon, Josa Peit, Mathew Dryhurst, Albertine Sarges (2019). Photography ©Boris Camaca/Holly Herndon</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/172350c4-a77c-474e-b37a-6d9d185837a6/Alexandra+Daisy+Ginsberg+%22Pollinator+Pathmaker%22+planting+for+Serpentine+%22North+Flower+Walk%2C%22+Kensington+Gardens+May%2C+2022</image:loc>
      <image:title>Editorial - Art as Intermediary - Make it stand out</image:title>
      <image:caption>Alexandra Daisy Ginsberg Pollinator Pathmaker planting for Serpentine North Flower Walk, Kensington Gardens (2022-24). Photography ©Moral Flex</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/154aa9d9-f262-4967-8511-a964293605ba/Maze-Row-The-Art-of-Data-Article-1.jpg</image:loc>
      <image:title>Editorial - Art as Intermediary - Make it stand out</image:title>
      <image:caption>Refik Anadol Echoes of the Earth: Living Archive (2024) at Serpentine North. Photography ©Hugo Glendinning/Refik Anadol</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/b3a94506-aefd-41cb-b402-2c957ea34ab9/Gabriel+Massan+%22Third+World%3A+The+Bottom+Dimension%22+at+Serpentine+North+Serpentine</image:loc>
      <image:title>Editorial - Art as Intermediary - Make it stand out</image:title>
      <image:caption>Gabriel Massan, Third World: The Bottom Dimension, at Serpentine North. Photography ©Hugo Glendinning/Serpentine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/insight-poggio-al-tesoro-winery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/5ea9d908-98f4-4510-ba6d-f91a780528bf/Maze-Row-Coastal-Dreams-Article.jpg</image:loc>
      <image:title>Editorial - Beyond the Cypress Trees - Make it stand out</image:title>
      <image:caption>Marilisa Allegrini in the Poggio al Tesoro vineyards. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/226076c4-0ecf-4fe5-b65e-8c47c1ce8861/Maze-Row-Coastal-Dreams-Article6-2.jpg</image:loc>
      <image:title>Editorial - Beyond the Cypress Trees - Make it stand out</image:title>
      <image:caption>Walter’s tree in the midst of Poggio Al Tesoro’s Bolgheri vineyards. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/f5550124-d9df-4583-a691-a3519d80eb2d/Maze-Row-Coastal-Dreams-Article4-800x1067.jpg</image:loc>
      <image:title>Editorial - Beyond the Cypress Trees - Make it stand out</image:title>
      <image:caption>Marilisa Allegrini founded Poggio Al Tesoro with her late brother Walter. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/5523f6a9-4366-4e45-aaca-776cadbb90a8/Maze-Row-Coastal-Dreams-Article9-2.jpg</image:loc>
      <image:title>Editorial - Beyond the Cypress Trees - Make it stand out</image:title>
      <image:caption>The Poggio Al Tesoro vineyards occupy prime locations in Bolghery, Tuscany. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-julie-mehretu-bmw-art-car</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/5f5e8bb2-f596-42eb-ab63-985f3b13c35e/Julie+Mehretu</image:loc>
      <image:title>Editorial - A Performative Painting - Make it stand out</image:title>
      <image:caption>Artist Julie Mehretu with her BMW Art Car</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/6749ccdc-7bee-44fd-875e-898ce0a159e5/qSc8WfPs955Mbg2R75WRzi-1600-80.jpg.webp</image:loc>
      <image:title>Editorial - A Performative Painting - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/ed6bb636-e2e3-4cb5-a8fe-9726ecbd511c/dHjpY4fWoMoYQnoSxYKiGh-1600-80.jpg.webp</image:loc>
      <image:title>Editorial - A Performative Painting - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/review-personal-structures-2024</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/94b4678b-208f-4b08-8d3e-5cd912f80342/Damian+Le+Bas%2C+Back+to+the+Future%21+Safe+European+Home+1938.</image:loc>
      <image:title>Editorial - Voices Beyond Venice - Make it stand out</image:title>
      <image:caption>Damian Le Bas, Back to the Future! Safe European Home 1938, part of the group exhibition Roma Lepanto. Photography ©Foundation Kai Dikhas/Estate Damian Le Bas</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/506191f8-7f43-4bf3-8cac-6bda6627f108/Emily+Young%2C+Lost+Mountain+Head</image:loc>
      <image:title>Editorial - Voices Beyond Venice - Make it stand out</image:title>
      <image:caption>Emily Young, Lost Mountain Head I (2013). Photography ©Emily Young</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/a96289c9-9c38-4365-bd1e-1de950622286/Lunita-July+Dorn%2C+Occhio%2C+Malocchio%2C+Prezzemolo+e+Finocchio</image:loc>
      <image:title>Editorial - Voices Beyond Venice - Make it stand out</image:title>
      <image:caption>Lunita-July Dorn, Occhio, Malocchio, Prezzemolo e Finocchio, part of the group exhibition Unapologetic WomXn. Photography ©Destinee Ross-Sutton/Lunita-July Dorn</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/79ddbabb-376f-4bbe-a748-93d58ad62620/Miles+Greenberg%2C+FI+08-20-10%2C+2024</image:loc>
      <image:title>Editorial - Voices Beyond Venice - Make it stand out</image:title>
      <image:caption>Miles Greenberg, FI 08-20-10 (2024). Photography ©Michael Jurtin/Galerie Breyer</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/a9da27b5-dec8-4b5f-b05f-9a6235a22317/z3KPphSpQ6352NzxEZPksJ-1600-80.jpg.webp</image:loc>
      <image:title>Editorial - Voices Beyond Venice - Make it stand out</image:title>
      <image:caption>Areez Katki, Pedagogical Drawing 6 (HA 33), (2024). Photography ©Areez Katki/Tarq Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-refik-anadol-serpentine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/154aa9d9-f262-4967-8511-a964293605ba/Maze-Row-The-Art-of-Data-Article-1.jpg</image:loc>
      <image:title>Editorial - When Data Dreams of Nature - Make it stand out</image:title>
      <image:caption>Refik Anadol Echoes of the Earth: Living Archive (2024) at the Serpentine gallery, London. Photography ©Hugo Glendinning, courtesy of Refik Anadol Studio and Serpentine</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/ea918b97-55ff-4518-8cbb-38f36620308b/Maze-Row-The-Art-of-Data-Article3-800x1067.jpg</image:loc>
      <image:title>Editorial - When Data Dreams of Nature - Make it stand out</image:title>
      <image:caption>Refik Anadol Echoes of the Earth: Living Archive (2024) at the Serpentine gallery, London. Photography ©Hugo Glendinning, courtesy of Refik Anadol Studio and Serpentine</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-esther-mahlangu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/1dc1fd00-4eae-4f12-a2e6-d30ebf9b9d18/p9aA26zse5pNURR4zQDFf3-1600-80.jpeg.webp</image:loc>
      <image:title>Editorial - Then I Knew I Was Good at Painting - Make it stand out</image:title>
      <image:caption>Artist Esther Mahlangu. Photography ©Clint Strydom for Esther Mahlangu and BMW AG</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/921432f1-9233-4488-91b7-1adf8c0a2e86/6gqvDy4QhFCxYnZXCVd855-1600-80.jpeg.webp</image:loc>
      <image:title>Editorial - Then I Knew I Was Good at Painting - Make it stand out</image:title>
      <image:caption>Esther Mahlangu with BMW 525i Art Car. Photography ©Clint Strydom for Esther Mahlangu and BMW AG</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/1678b3e4-90fa-4a25-87c5-c7502825907b/xUWaCbmwyzAJ6d3y63BUAi-1600-80.jpeg.webp</image:loc>
      <image:title>Editorial - Then I Knew I Was Good at Painting - Make it stand out</image:title>
      <image:caption>Esther Mahlangu working on one of her paintings. Photography ©Clint Strydom for Esther Mahlangu</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/c5a62298-15c3-4409-9be6-5571d3cc2f0e/nFbEiHBMYhAerkdTeSrWbn-1600-80.jpeg.webp</image:loc>
      <image:title>Editorial - Then I Knew I Was Good at Painting - Make it stand out</image:title>
      <image:caption>Artwork by Esther Mahlangu. Photography ©Esther Mahlangu</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-thomas-saraceno-serpentine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/4b77a139-21bc-4bb8-b40b-6234cd9e7f6e/18GBR_London_SerpentineGallery_Exhibition_21029_b1.jpg</image:loc>
      <image:title>Editorial - The Art of Interconnection - Make it stand out</image:title>
      <image:caption>Portrait of Tomás Saraceno outside the Serpentine gallery. Photography ©Dario J Laganà/Studio Tomás Saraceno</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/3e699b7e-54de-4d9a-a9de-1d39223b4ef8/960x0-1.webp</image:loc>
      <image:title>Editorial - The Art of Interconnection - Make it stand out</image:title>
      <image:caption>Tomás Saraceno in Collaboration: Web[s] of Life, at the Serpentine Galleries South. Photography ©Studio Tomás Saraceno</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/5a265780-1f03-49cc-99ad-bc134e76b722/960x0.webp</image:loc>
      <image:title>Editorial - The Art of Interconnection - Make it stand out</image:title>
      <image:caption>Spider/Web Pavilion 7: Oracle Readings, Venice Biennale (2019). Photography ©Studio Tomás Saraceno</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/2c09cc46-f20b-42c8-93e9-11676cc0c923/thomas+saraceno</image:loc>
      <image:title>Editorial - The Art of Interconnection - Make it stand out</image:title>
      <image:caption>Tomás Saraceno in Collaboration: Web[s] of Life, Serpentine gallery (2023). Photography ©Nargess Banks</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/insight-ratti-winery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/6fd83ed2-15fb-481a-8ceb-558b8e74c1d5/Maze-Row-Piedmonts-finest-Ratti-Article-1.jpg</image:loc>
      <image:title>Editorial - From Dream to Reality - Make it stand out</image:title>
      <image:caption>Pietro Ratti. Photography ©Leigh Banks/Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/1b7a4204-d5dc-4c74-ba6f-106b55de8f17/Piedmonts-finest-Ratti-Article-15.jpg</image:loc>
      <image:title>Editorial - From Dream to Reality - Make it stand out</image:title>
      <image:caption>The Ratti vineyards in Piedmont. Photography ©Leigh Banks/Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/078943ec-4755-4f32-bb4b-f4f9ffd7a030/Piedmonts-finest-Ratti-Article-114.jpg</image:loc>
      <image:title>Editorial - From Dream to Reality - Make it stand out</image:title>
      <image:caption>Old bottles line the library at the Ratti winery and visitor centre. Photography ©Leigh Banks/Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/9728eb25-38d8-4c7f-81b4-8976088f9e5c/Piedmonts-finest-Ratti-Article-14.jpg</image:loc>
      <image:title>Editorial - From Dream to Reality - Make it stand out</image:title>
      <image:caption>Pietro Ratti in the tasting rooms overlooking the vineyards. Photography ©Leigh Banks/Spinach</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/insight-argiano-winery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/d86ce8e6-0e5c-4900-8a3a-e83b58c70559/Maze-Row-Making-History-Article3.jpg</image:loc>
      <image:title>Editorial - The Soul of Argiano - Make it stand out</image:title>
      <image:caption>The Argiano estate in Montalcino. Photography ©Leigh Banks/Helen Cathcart/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/a3db2855-cd96-4bd8-9d94-8d7eb1b9d074/Maze-Row-Making-History-Article2-1-800x902.jpg</image:loc>
      <image:title>Editorial - The Soul of Argiano - Make it stand out</image:title>
      <image:caption>Bernardino Sani, Argiano CEO and winemaker. Photography ©Leigh Banks/Spinach</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/7943be61-58c8-4612-8759-eac6f86e3212/Maze-Row-Argianos-positive-twist-Article8.jpg</image:loc>
      <image:title>Editorial - The Soul of Argiano - Make it stand out</image:title>
      <image:caption>The Argiano cellars are home to an impressive collection of wine. Photography ©Helen Cathcart/Spinach</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-shirin-neshat</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/bf6a5a4a-b94f-42fb-bcb9-7a47a46959fe/Shirin+Neshat+Flavia+%232%2C+from+The+Fury+series%2C+2023++SHIRIN+NESHAT+%3A+GOODMAN+GALLERY.webp</image:loc>
      <image:title>Editorial - The Politics of Fury - Make it stand out</image:title>
      <image:caption>Shirin Neshat Flavia #2, from The Fury (2023) Photography ©Shirin Neshat/Goodman Gallery</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/4e7e9711-a931-43b6-95e7-d4c6028c0aad/Still+from+The+Fury+by+Shirin+Neshat+SHIRIN+NESHAT%3AGOODMAN+GALLERY.webp</image:loc>
      <image:title>Editorial - The Politics of Fury - Make it stand out</image:title>
      <image:caption>Still from Shirin Neshat’s The Fury Photography ©Shirin Neshat/Goodman Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/91571e70-24b6-421e-8a3b-9923944e0129/Artist+and+filmmaker%2C+Shirin+Neshat+RODOLFO+MARTINEZ.webp</image:loc>
      <image:title>Editorial - The Politics of Fury - Make it stand out</image:title>
      <image:caption>Artist and filmmaker, Shirin Neshat Photography ©Rodolfo Martinez</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/c275c017-23d6-440b-bb7c-06d44a085094/Shirin+Neshat+Daniela+%232%2C+from+The+Fury+series%2C+2023++SHIRIN+NESHAT%3AGOODMAN+GALLERY.webp</image:loc>
      <image:title>Editorial - The Politics of Fury - Make it stand out</image:title>
      <image:caption>Shirin Neshat Daniela #2, from The Fury series, 2023 Photography ©Shirin Neshat/Goodman Gallery</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/f5666501-91e4-4b16-a53f-4782ad746a3a/Still+from+The+Fury+by+Shirin+Neshat%2C+filmed+in+Brooklyn+in+2022++SHIRIN+NESHAT%3AGOODMAN+GALLERY.webp</image:loc>
      <image:title>Editorial - The Politics of Fury - Make it stand out</image:title>
      <image:caption>Still from The Fury by Shirin Neshat, filmed in Brooklyn (2022) Photography ©Shirin Neshat/Goodman Gallery</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-tim-marlow-design-museum</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/741b94ec-0fde-44e3-8fcf-174faf3d7a6a/Tim+Marlow</image:loc>
      <image:title>Editorial - Roughing Up Perfection - Make it stand out</image:title>
      <image:caption>Tim Marlow, Design Museum director. Photography ©Design Museum London</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/d689dd84-9764-400b-b200-1b6edb9491a0/Design+Museum</image:loc>
      <image:title>Editorial - Roughing Up Perfection - Make it stand out</image:title>
      <image:caption>Architect John Pawson's interior for the Design Museum is a vast expansive space. Photography ©Hufton+Crow/Design Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/74037c80-4594-450d-9188-18ca015daa53/Ai+Weiwie</image:loc>
      <image:title>Editorial - Roughing Up Perfection - Make it stand out</image:title>
      <image:caption>Artist Ai Weiwei outside the Design Museum. Photography ©Rick Pushinsky/Design Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/8d0f293e-ec27-44f8-9760-d6d4420d515f/Design+Museum</image:loc>
      <image:title>Editorial - Roughing Up Perfection - Make it stand out</image:title>
      <image:caption>The Offbeat Sari (2023), Design Museum, celebrates the contemporary sari, while seeing how it can be viewed as a metaphor for the layered and complex definitions of India today. Photography ©Pankaj Dahalia/Design Museum</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/2babea4f-850e-4c0c-b9a5-8dda169c847e/Design+Museum</image:loc>
      <image:title>Editorial - Roughing Up Perfection - Make it stand out</image:title>
      <image:caption>A sensory exhibition at the Design Museum takes ASMR (autonomous sensory meridian response) from our screen and into physical space. Photography ©Ed Reeeve/Design Museum</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-almudena-romero-paris-photo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/da6742f2-3881-4e70-bb62-fed97c3f55a1/Planting-Seeds-Landscape-2.jpg</image:loc>
      <image:title>Editorial - Planting Seeds - Make it stand out</image:title>
      <image:caption>Almudena Romero, The Pigment Change. Chapter I: The Act of Producing. Photography ©Almudena Romero/Nicolas Jenot</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/a42e985f-c617-4c13-9c60-6a66439a1515/Planting-Seeds-Landscape-3.jpg</image:loc>
      <image:title>Editorial - Planting Seeds - Make it stand out</image:title>
      <image:caption>Almudena Romero sprays her canvas of sprouting greens for Family Album Paris Photo (2022). Photography ©BMW AG</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/77b4550b-f570-471e-a0e9-9a7c20194b6a/Planting-Seeds-Landscape-1.jpg</image:loc>
      <image:title>Editorial - Planting Seeds - Make it stand out</image:title>
      <image:caption>Almudena Romero, The Pigment Change. Chapter I: The Act of Producing. Photography ©Almudena Romero/Nicolas Jenot</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-emeric-lhuisset-paris-photo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/6d277c71-9c43-4695-819a-5797f660e562/YhAKWhy9CnLRTuDP5DEnoH-1600-80.jpg.webp</image:loc>
      <image:title>Editorial - From Hero to Parasite - Make it stand out</image:title>
      <image:caption>Emeric Lhuisset, Théâtre de Guerre (2012). Photography ©Emeric Lhuisset</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/b57ab3b3-64ca-41cd-a37e-dca51daabb76/Emeric+Lhuisset</image:loc>
      <image:title>Editorial - From Hero to Parasite - Make it stand out</image:title>
      <image:caption>Emeric Lhuisset, L'autre Rive (2019), concludes with a series of fading blue renderings through cyanotype. Photography ©Emeric Lhuisset</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/633c4cad-c11a-46c0-a212-87ecf0bc9368/Emeric+Lhuisset%27s+L%27autre+rive</image:loc>
      <image:title>Editorial - From Hero to Parasite - Make it stand out</image:title>
      <image:caption>Emeric Lhuisset's L'autre Rive (2019) depicts scenes of the sea where many escaping war and chaos vanish. Photography ©Emeric Lhuisset</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-chris-bangle-car-designer</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/836a06b0-b51f-47bd-8c55-8c2dec3ffaca/Chris+Bangle+in+his+former+role+as+director+of+BMW+Group+design</image:loc>
      <image:title>Editorial - Original Sin 2.0 - Make it stand out</image:title>
      <image:caption>Chris Bangle in his former role as director of BMW Group design. Photography ©Chris Bangle Associates</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/5e6b46c0-af07-4465-ab09-7799c3c1b4da/BMW+GINA+concept+car</image:loc>
      <image:title>Editorial - Original Sin 2.0 - Make it stand out</image:title>
      <image:caption>The BMW GINA concept car. Photography ©BMW AG</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/633b3880-2b37-4805-b275-0aab2b3b784b/Chris+Bangle+teapots</image:loc>
      <image:title>Editorial - Original Sin 2.0 - Make it stand out</image:title>
      <image:caption>The teapot on the left was designed in 1879, but the one on the right is what most luxury teapots looked like in 1879. Photography ©Chris Bangle Associates</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/05fe9e9d-0c6b-466c-aae4-b64809e64264/Chris+Bangle</image:loc>
      <image:title>Editorial - Original Sin 2.0 - Make it stand out</image:title>
      <image:caption>Photography ©Chris Bangle Associates</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/ef0a4f59-24ed-4326-9a66-8a0ee234308d/Chris+Bangle</image:loc>
      <image:title>Editorial - Original Sin 2.0 - Make it stand out</image:title>
      <image:caption>Objectomy and Diegetic Design mean starting the design processes by being open to the object for a journey of discovery, then earnestly listening to the object and letting that guide your actions to design inside the narrative. Photography ©Chris Bangle Associates</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.nargessbanks.com/articles-nargess-banks/interview-marcello-gandini</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2026-01-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/6e3fe1db-d539-4bf1-b043-beaed3a606d3/Marcello+Gandini+with+Lamborghini+Countach+LP+400+S</image:loc>
      <image:title>Editorial - A Great Missed Opportunity - Make it stand out</image:title>
      <image:caption>The late Marcello Gandini with Lamborghini Countach LP 400 S. Photography ©Lamborghini</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/1bc1dc32-d9c0-41e1-a126-da5fcb32b291/In+2019+BMW+re-created+the+Garmisch%2C+a+concept+car+designed+by+Marcello+Gandini+for+Bertone+which+vanished+after+its+debut+at+the+Geneva+Motor+Show+in+1970</image:loc>
      <image:title>Editorial - A Great Missed Opportunity - Make it stand out</image:title>
      <image:caption>In 2019 BMW re-created the Garmisch, a concept car designed by Marcello Gandini for Bertone which vanished after its debut at the Geneva Motor Show in 1970. Photography ©BMW AG</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/6738be4315b489151b53dc41/a2c818af-4499-4d34-80e1-bf53ca56157a/Marcello+Gandini%27s+design+for+the+Bertone+Lamborghini+Miura</image:loc>
      <image:title>Editorial - A Great Missed Opportunity - Make it stand out</image:title>
      <image:caption>Marcello Gandini's design for the Bertone Lamborghini Miura. Photography ©Lamborghini</image:caption>
    </image:image>
    <image:image>
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      <image:title>Editorial - A Great Missed Opportunity - Make it stand out</image:title>
      <image:caption>Marcello Gandini designed the Alfa Romeo Carabo in 1968 which pioneered futuristic scissor doors. Photography ©Alfa Romeo</image:caption>
    </image:image>
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    <loc>https://www.nargessbanks.com/essays-stories-nargess-banks</loc>
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